I could definitely NOT consistently produce the same result, however. Objectif Hybride Tamron SP 15-30 mm f/2.8 Di VC USD G2 pour Nikon. The Tamron SP 15-30mm f/2.8 Di VC USD G2 lens is a minor update to one of the rare, stabilized ultra-wide zooms, but it doesn't pair well with the highest-resolution cameras. A lot of people turn their noses up at third party lenses I guess if they cost as much as the first party the may feel different. It functions fine, and, like other Tamron lenses, it zooms in the “Nikon” rather than “Canon” direction. I do find that the corner/edge performance at F5.6 favors the A041 a little more obviously. You can see my detailed video review below, complete with hands-on sample images, video clips, and real-world observations for a real photographer. Bokeh doesn’t look bad from the lens: What’s more important is how the lens deals with coma, a type of distortion that deforms the shapes of distant bright points of light like stars. The lens cap fits over the fixed lens hood, and, as a result, is bulkier than a typical lens cap. I would recommend that you check out this video where I thoroughly detail the build and design of the A041 and compare it to the first generation A012 lens: Tamron has managed to pack in a number of significant improvements to the build and handling of the lens while managing to hold the weight nearly equal. I break down optical performance into two major categories: Resolution (sharpness, contrast, and longitudinal chromatic aberrations) and Rendering (Color, Bokeh, Flare Resistance, etc…) For a detailed look at some of the things that I will point to in this review, I recommend that you watch my Image Quality Breakdown video here: The A041 largely inherits the strengths and weaknesses of its predecessors. Here’s a few EOS R/EF Adapter/A041 samples: I essentially expected this (at least for stills) on the EOS R, but I was more surprised with the a7R3/MC-11 combination with both new Tamron lenses, where the performance was generally excellent for stills photography. Contrast and color rendition has always been a strength for the 15-30 G2. In the previous section on autofocus I shared a photo that I actually handheld for 2 seconds in an essentially dark room (you would have to have had a 2 minute exposure at ISO 100 to achieve a similar result, which tells you how little light was in the room). I actually did a thorough review of the 70-200mm lenswhen it was released and found that it was a worthy upgrade to the older SP version. The barrel distortion is fortunately that of a linear nature and corrects cleanly when the standard profile is applied. Some people have asked me about the “why?” of this lens. I think the 15-30 G2 is ready to compete on the edges. I was able to lock focus more quickly with the A041 via adapter in these lighting conditions than the Canon RF 24-105mm F4L IS on the Canon EOS R, which is saying something. More internal seals help the lens achieve a new degree of weather sealing. Thank you for your support. I used it in a variety of lighting conditions, even in essentially a dark room (proper exposure required a 2 second exposure at ISO 6400!). By utilizing specialty glass materials and aspherical lens elements in the new Model A041, Tamron’s engineers have further minimized the distortion and lateral chromatic aberration that can be an issue with wide-angle shooting. I would say that in an absolute sense I still favor the image punch from the Sigma 14-24 F2.8 ART, but one also makes the trade-off of getting a lens without stabilization. Who knows if I had the bucks I might feel different. 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